Down and Dirty Pictures : Miramax, Sundance, and the Rise of Independent Film артикул 4128c.
Down and Dirty Pictures : Miramax, Sundance, and the Rise of Independent Film артикул 4128c.

Amazon comYou've heard the rumors The film industry is filled with ruthless executives who think nothing of brow-beating their employees, of using creative accounting to cheat filmmakers, and re-cutting a director's vision into a soulless crowd-pleaser Well, it turns out those rumors are often true--at least according to Peter Biskind's highly оегзч entertaining Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film Packed with industry anecdotes and history, the book chroniclesthe growth and eventual mainstreaming of independent films and offers the back-story to seminal works including sex, lies, and videotape and Pulp Fiction among others Biskind, author of Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, divides most of his time between Sundance Film Festival founder Robert Redford and Miramax co-chairman Harvey Weinstein Biskind simultaneously credits these two as fostering, though ultimately ruining, the purity of indpendent film Other indies are largely left out, although the now-defunct October Films appears prominently in the role of noble failure Biskind has serious points to make, but he's not stingy with the war stories, either (One particularly amusing scene involves October executives chasing Robert Duvall's agent through a Sheraton Hotel in an attempt to stop him from making a deal with Miramax to distribute The Apostle ) Those who have only a passing interest in the movie business may tire of Biskind's oft-repeated themes (Weinstein is an evil genius! Redford is a passive-aggressive control freak!) but for those who truly love film industry gossip, Down and Dirty Pictures is a feast of insider stories--each tidbit juicier than the last --Leah WeathersbyBook Description It wasn't so long ago that the Sundance Film Festival was an inconsequential event somewhere in Utah, and Miramax was a tiny distributor of music documentaries and soft-core trash Today, of course, Sundance is the most important film festival this side of Cannes, and Miramax has become an industry giant, part of the huge Disney empire Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O Russell -- who once had to max out their credit cards to realize their visions on the screen -- are now among the best-known directors in Hollywood Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines -- Sundance and Miramax -- that have powered them As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse Biskind follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality He charts in fascinating detail the meteoric rise of the controversial HarveyWeinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake As in Easy Riders, Biskind's incisive account is loaded with vibrant anecdotes and outrageous stories, all of it blended into a fast-moving narrative Redford, the Weinsteins, and the directors, producers, and actors Biskind profiles are the people who reinvented Hollywood, making independent films mainstream But success invariably means compromise, and it remains to be seen whether the indie spirit can survive its corporate embrace Candid, mesmerizing, and penetrating, Down and Dirty Pictures is a must-read for anyone interested in the film world and where it's headed.  Регулируемый2004 г 560 стр ISBN 068486259X.